Reading ‘Tess of the D’Urbervilles’ is like watching the Titanic sail across the glimmering ocean knowing that disaster is just beyond the horizon: despite all its beauty and intensity, you can’t shake that ‘sinking feeling’. I wonder how many modern teenagers read the novel for the first time without knowing its storyline, and how they react to it.
Hardy’s language is striking, his descriptions evocative and many passages are extremely sensual, but how does one introduce the novel to modern, young readers? The novel has many features that have general appeal – fascinating characters, complex interpersonal relationships and romance to keep the girls’ hearts fluttering – so it seems to me that it is essential to first deal with those elements which the learners might find ‘foreign’, even unbelievable , for example Hardy and his characters’ sense of fatalism; the social class system; paternalism and the role of women in the 1800s. By exploring these issues first, learners can discuss them and consider whether any parallels still exist in our society. When they read the novel they can identify the issues and perhaps judge the characters in a more balanced way.
Following the pattern of my previous blog (‘What is literature?’) I have to ask whether ‘Tess’ is good literature: without a doubt it created many emotional reactions in me – not only the plot and the actions of the characters, but also the exquisitely written text that painted vivid pictures, stirred my heart and tickled my brain. Hardy’s authorial commentary might be annoying at times, but it does offer opportunity for challenging debate.
If the novel suitable for Grade 12 learners?
Yes, I think it is. While the language is ‘old fashioned’, it is readable. It’s the underlying issues that learners have to grapple with. But these issues are essential to their modern ‘freedom’. They need to explore and understand what impact these issues had on earlier generations in order to enjoy the ‘luxury’ of social, moral and intellectual freedom.
MacMo